Dream pop trans-global duo Say Lou Lou releases a new track this morning – “Better in the Dark.”
The dream pop duo keeps the breathy Lykke Li-style vocals but builds this track with more orchestral percussions in place of their usual synth beats.
Dream pop trans-global duo Say Lou Lou releases a new track this morning – “Better in the Dark.”
The dream pop duo keeps the breathy Lykke Li-style vocals but builds this track with more orchestral percussions in place of their usual synth beats.
BoxSpeaker heard of Sally Shapiro through the ever-cool Jamie H.
Sally Shapiro is an italo disco duo that sounds like the vocals of a faster, happier Au Revoir Simone with the italo disco high-hats and synth beats.
“He Keeps Me Alive” is another one of those electro tracks that has such a happy beat but actually has somewhat sad lyrics. With its happy synths and high-hats juxtaposed by sad lyrics of “remember[ing] we’re just friends.”
Somewhere in Austin, TX, Risa Elledge and William Wong are experimenting with different styles – possibly looking to see what will define their sound.
The self-described “indie-pop project” Tocca has four tracks of slightly varying styles. While they have yet to be mastered (please increase the sound on “Subtle Ease”!), these tracks not only show a band in its earliest stages but also the versatility and creativity of both musicians.
Producer William Wong shows that he can churn anything from surf guitar-based garage rock styles of “What You Need to Get By” to the disco-inspired track “Subtle Ease” and self-described “indie psych” track “Her Words” (BoxSpeaker’s favorites in the set) which both have a French library feel to “Sneaking Out.” The band labels “Sneaking Out” as “Pop Punk” even though it thankfully sounds nothing like what we refer to as pop punk now (Blink 182, New Found Glory) but rather has stylings of pop punk as made famous by bands like 999. However, I think a much better comparison for “Sneaking Out” is to Stereolab‘s post-rock sound.
Risa Elledge’s talent here is that she can sing for any of these styles. In “What You Need to Get By,” she sounds like KITTEN’s Chloe Chaidez occasionally on the verge of belting out a line. In “Subtle Ease,” Elledge captures a dream pop breathiness that balances out the staccato disco chords. Elledge even gets the psychedelic, relaxed vocals for “Her Words” on point.
We get what they’re going for – and whether they decide to lock down a specific genre or not, the music will be great. Just master more tracks ASAP please.
“No Lungs” by Charles Murdoch is another example of Australia’s all-star PBR&B musician team.
Hailing from Brisbane with a smooth bassline, echoing vocal loops, and tempo changes to match your Friday night, “No Lungs” is bound to be added to your sex playlist, right next to The Weeknd, BANKS, and Chela.
Check out the Classixx remix of “Always” by Panama – a nu-disco take on a song that originally focuses on heavy piano chords, drum kit drums, and an overlying layer of synthesized handclaps.
New BoxSpeaker Series: #TBT (Throwback Thursdays) documenting great tracks from years ago.
The first in the #TBT series is “Sing” by Travis, a band from Glasgow.
And another favorite: “Writing to Reach You” – which is really great because it pokes fun at and references (both in lyrics and riffs) Oasis’s “Wonderwall”
I am forever thankful for Last Lynx both because their song “Killingswitch” is amazing and also because they’re the reason I learned about AM Shawn & Lee – both bands fall in that semi-funk bassline mixed with mellow bluesy guitars 70s-influenced sound.
Frida Sundemo‘s sound is a mix of Robyn’s smooth, calm vocals and MNDR’s beats but all faster and happier while mix.
In fact, the 0:48 mark of “Indigo” somewhat matches the style of the 0:38 mark of MNDR’s “Jump In” but smoother and slower.
Old track and video, but still so good. New Zealand’s Princess Chelsea in the bizarre “Cigarette Duet,” which also comes with a mini PSA at the end.
It’s so hard to find any information about “Color” by G.A.Y. (now YOU) because every word in that phrase is in practically every site.
So while BoxSpeaker can’t state much about the band, we can wonder is their name “G.A.Y.” or “You” but formerly “G.A.Y.” or “G.A.Y. (now YOU)”?